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Nicolai Orloff - Nicolai Orloff - The Decca Recordings (CD ALBUM)

Nicolai Orloff - Nicolai Orloff - The Decca Recordings (CD ALBUM)

Nicolai Orloff - Nicolai Orloff - The Decca Recordings (CD ALBUM)

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Nicolai Orloff - Nicolai Orloff - The Decca Recordings (CD ALBUM)

Nicolai Orloff - Nicolai Orloff - The Decca Recordings (CD ALBUM)

The complete published Decca recordings of a fine but forgotten Russian pianist, previously unreleased on CD.

A student of the legendary pedagogue Konstantin Igumnov, Nikolai Orloff became a professor of piano himself at the Moscow Conservatoire in 1917, at the age of just 25. Having emigrated to Paris in 1922, he soon began to make appearances in the UK which attracted a string of glowing reviews. 'Everything was strong and yet amazingly supple,' according to a Timesreview of Orloff at the WigmoreHall in 1925. 'His capacity for striking swiftly and cleanly with the exact strength and resilience was tested over and over again … Altogether, we have not heard such a remarkable achievement on the piano this season.'

Orloff became particularly associated with the music of Chopin and so it was natural that this was the composer he took into theDecca studios at West Hampstead in the autumn of 1945. By then his powers had somewhat faded, but one Gramophonereviewer in August 1947 still felt confident of placing the pianist in the company of Chopin greats such as Lipatti, Malcuzynskiand Solomon.

In front of an orchestra, with the likes of Barbirolli and Damrosch at the helm, the First Concerto of Tchaikovsky had been another signature work for Orloff during the 1930s. Again, it is apt and fortunate that, in the absence of a more comprehensive record of his artistry, this should be the work he recorded with the London Symphony Orchestra and Anatole Fistoulari, who had established a reputation as a Tchaikovsky (and ballet) specialist. As the piano scholar Jonathan Summers identifies in his invaluable booklet essay, Orloff's approach to this often mistreated warhorse is more focused on musicality, tone and poetry than speed and drive. There is still plenty of fire, particularly in thelast movement, though it is paired with a gracefulness rarely encountered in today's performances of this work.

Transfers from the original 78s have been undertaken by one of today's leading remastering engineers, Mark Obert-Thorn, making this issue an essential acquisition for pianophiles.

'Beautifully played and recorded with all fit gentleness … The player's feathery lightness in the studies, and his ease of rhythm –no hurry or flurry –please me keenly. I like the scale of things.' Gramophone, April 1948 (Chopin)



1–3 Piano Concerto No. 1 in B flat minor, Op. 23

National Symphony Orchestra

Anatole Fistoulari


4Impromptu No. 1 in A flat major, Op. 29

5Mazurka in F minor, Op. 7 No. 3

6Valsein F major, Op. 34 No. 3

7Mazurka in C sharp minor, Op. 50 No. 3

8Etude in D flat major, Op. 10 No. 8

9Etude in A minor, Op. 10 No. 4

10Prelude in B minor, Op. 28 No. 6

11Prelude in B major, Op. 28 No. 11

12Prelude in G major, Op. 28 No. 3

13Prelude in B flat minor, Op. 28 No. 16

14Fantaisie-Impromptu in C sharp minor, Op.


Nikolai Orloff, piano

More Information
More Information
Release Date 26 Oct 2018
Brand N/A
Artist Nicolai Orloff
Title Nicolai Orloff - The Decca Recordings
Packaging -
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